从第一个“社会主义新人”(下简称“新人”)梁生宝(1959),经萧长春(1964)到“无产阶级英雄典型”(下简称“英雄”)高大泉(1972),这十三年的主流小说角色演变,可谓是“新人”英雄化的过程。与这段文学史相对应的是,当“新人”沾染样板戏式的“英雄气”愈浓,原著小说赋予他的“人情味”也就愈淡,恐怕这很值得当代文学史家重视。共和国前三十年(1949—1979)文坛所衍生的这条有涉政治 From Liang Shengbao (1959) of the first “new socialist man” (“Newcomer”) to “proletarian heroic typical” (hereinafter referred to as “heroic”) by Xiao Changchun (1964) Daquan (1972), the evolution of the role of mainstream fiction in these thirteen years, is a heroic process of “newcomer ”. Corresponding to this period of literary history, the more “heroic” of the “newcomer” model opera, the lighter his “human touch” will be from the original novels Literary historians value. The article derived from the literary circles of the first three decades of the Republic (1949-1979) involved politics