鲁迅无愧于“一具有彻底的反虚伪的精神 ,二具有透彻的文学家的眼光”的评价。本文主要通过对《呐喊》、《彷徨》、《野草》及鲁迅后期杂文的分析 ,表现出鲁迅在中国现代小说、现代散文诗及现代杂文等文学体裁方面的规范与创新 ,借此说明融汇其间的鲁迅的美学追求 :《呐喊》颜色法“域外文宗” ,更多激愤 ;《彷徨》汲取中国传统“画眼睛”的写法 ,更趋圆熟 ;《野草》最早借鉴了现代主义的手法 ,开一代先河 ;后期杂文则于无意中创造了“鲁迅体”的现代杂文。鲁迅在现代文学体裁的规范、创新、更迭之中 ,不断实现着他的美学追求 ,接近着他的社会理想 Lu Xun is worthy of the evaluation of “a thoroughly anti-hypocritical spirit and two thoroughly insightful writers.” This paper mainly analyzes the norms and innovations of Lu Xun in literary genres such as modern Chinese novels, modern prose poems and modern essays through analysis of “Shouting,” “Wandering,” “Weeds” and later essays in Lu Xun. In the meantime, Lu Xun’s aesthetics pursuit: “shouting” color law “extraterritorial writing”, more anger; “Imitation” learn more traditional Chinese “painting eyes” wording, more familiar; “wild grass” first learned from the modernist approach to open A generation of precedent; later essays inadvertently created a “Lu Xun” modern essay. In the normative, creative and changing genres of modern literary genres, Lu Xun constantly realized his aesthetic pursuit and approached his social ideal