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本文通过将漫瀚剧音乐的旋律与漫瀚调、二人台的旋律特点进行比较分析,试图找出他们的一些共性与内在联系。在某种程度上,兼论与内蒙古相邻省份传统音乐形态作为的辅助作用,内蒙古周边传统音乐与内蒙古西部地区传统音乐的融合的影响。目的是为内蒙古西部地区民族民间音乐的研究提供一些参考依据的同时也希望从旋律的来源上角度解读漫瀚剧音乐创作的一些技术性理念。
This article attempts to find out some of their commonalities and internal relations by comparing and analyzing the melody of Manjian drama with the melody features of Manjian and Erren Taitai. To a certain extent, it also plays an auxiliary role with the traditional music forms in the neighboring provinces of Inner Mongolia and the integration of the traditional music around Inner Mongolia and the traditional music in the western part of Inner Mongolia. The purpose is to provide some references for the research of national folk music in the western part of Inner Mongolia. At the same time, it is also hoped to interpret some technical ideas of the creation of Manhandi music from the perspective of melody.