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(一) 在清代流传的地方戏曲中,有种名曰“楚调”的声腔,大概是在湖北地方形成的。这种戏曲的活动,早在清初之际就见有文字记载。如康熙六年(1667),江苏太仓人吴伟业《致冒襄书》说。方今大江南北风流儒雅,选新声而歌楚调,执有过我老盟翁乎?……再如上海人倪蜕(本名鹏,字振九),他在康熙五十年(1711)后写的《戏为举业文题词》也说。去年夏,客建宁,见村优演剧,始而憨童娶妇,继而黠女潜逃;或诱于逆旅,
(A) In the local opera circulating in the Qing Dynasty, there was a kind of sound cavity called “Chu tune”, probably formed in Hubei. The activities of this drama, as early as the beginning of the Qing Dynasty saw the written records. Such as the six years of Emperor Kangxi (1667), Taicang, Jiangsu Province, Albert Wu “Let’s take the lead in the book,” said. Nowadays big rivers north and south Merry elegance, the election of new voice and song Chu tune, hold my old alliance Weng almost? ...... Another example is the Shanghai people Ni slough (name Peng, word vibration nine), he Kangxi fifty years (1711) after Write the “opera for the industry article inscription” also said. Last summer, Kejian Ning, see the village actor drama, the beginning of the childish child married woman, and then maid fled; or lured against the brigade,