手腕放松是钢琴弹奏状态中关键的环节。如尼古拉耶夫给钢琴谈奏时手的状态作的一个明确的定义:“手不应该像木棒那样僵硬,也不能像烂布那样松软,它应该像弹簧那样有弹性。”也就是说,钢琴演奏的手的放松问题就是力与松的辩证关系,即松而不能懈,是在运动中的放松,而不是惰性的放松。钢琴弹奏亦是如此,弹奏者整只手从肩关节到手腕都完全放松, Wrist relaxation is a key part of the piano’s playing state. As Nikolayev gave a clear definition of the state of the hand when playing the piano: “The hand should not be as stiff as a wooden stick, nor as soft as a rotten cloth, it should be as elastic as a spring.” " In other words, the relaxation of the hands of the piano is the dialectical relationship between power and relaxation, that is, relaxation without remission is relaxation in sports rather than inert relaxation. The same applies to the piano, with the player’s hand completely relaxed from shoulder to wrist,