与诗歌创作的基本情况相呼应,“文革”后的三十年来内蒙古诗歌批评也表现出不同特征的几个阶段:“文革”结束至1984年,为诗歌批评的恢复期,批评观念可以看作是“十七年”诗歌批评的复归与延续,以社会历史批评方法为主;1985年至1990年为诗歌批评的激变期,受西方文学理论的强势影响,新的诗歌观念确立,批评方法呈现多样化;1991年至今为调整期,诗歌创作走入了低潮,出现了一批总结性的批评文本。 Echoing the basic situation of poetry writing and criticizing Inner Mongolia poetry in the thirty years after the “Cultural Revolution” also showed several stages with different characteristics: From the end of “Cultural Revolution” to 1984, the period of recovery of poetry criticism, criticism The concept can be seen as the return and continuation of the poetic critique of “Seventeen Years ”, with the method of social and historical criticism as the main body; the period from 1985 to 1990 as the critical period of poetic criticism; influenced by the strong influence of western literary theory, the new poem The concept is established and the method of criticism is diversified. Since 1991, the period of adjustment has taken place and poetry writing has come to a low ebb. A series of concluding criticisms have appeared.