论文部分内容阅读
本届威尼斯双年展中国馆的展示效果及策展理念,是近期舆论的一个焦点。毕竟前几届威尼斯双年展国内舆论对中国馆的展示和策展的关注度没有这么高,并且只限于圈内;此次成为焦点是件好事,起码证明关注的人多,而且已经波及圈外,这证明当代艺术作为向世界展示的窗口,国人的期待值越来越高。此次批评之声甚众,连策展人都不得不出来回应,这种状况的出现与当今移动自媒体的发达、
The current Venice Biennale China Pavilion display effect and curatorial ideas, is a recent focus of public opinion. After all, the public opinion at previous Venice Biennale did not pay much attention to the exhibition and curatorial exhibition of the China Pavilion and was limited to the circle; the focus of this time was a good thing, at least proving that more people are paying attention and have spread to the circle In addition, this proves that contemporary art as a window to the world shows that people expect more and more. The voice of criticism is very public, even the curators have come out to respond, the emergence of this situation and today’s mobile self-media developed,