青花瓷画自元代出现以来到明代官窑民窑并进,无论在题材上和技法上都得到了空前的发展。这一时期的青花瓷画一方面继承了磁州窑等一些窑口的绘画特点,另一方面大量元明戏曲小说木版画以及同时代织绣对青花瓷画都产生了深刻的影响,形成了以人物、山水、花鸟、图案等门类的青花瓷画。(1)人物:历代青花瓷中的人物画,题材广泛,表现手法丰富。其中,又以婴戏、仕女、高士图、戏曲人物为主。官窑青花,人物精勾细描,比例准确。民窑青花人物画线条流畅,形象夸张,画面 Since the advent of the Yuan Dynasty, the blue and white porcelain paintings moved forward to the Ming Kiln kilns in the Ming Dynasty and achieved unprecedented development both in theme and technique. On one hand, the blue and white porcelain paintings inherited the characteristics of some kilns such as Cizhou kiln. On the other hand, a large number of woodcut paintings of the novels of Yuan and Ming Dynasties and the embroidery of the same period brought a profound impact on the blue and white porcelain paintings. Landscape, flowers and birds, patterns and other categories of blue and white porcelain paintings. (1) People: The figures of blue and white porcelain of ancient dynasties have a wide range of topics and rich performance techniques. Among them, the baby play, Ladies, Coats, drama characters. Kiln blue and white, delicate fine hook figure, the proportion of accurate. Folk kiln blue and white figure lines smooth, image exaggerated, the picture