一般说来,中国传统绘画里的人物画,从古至今,男人、女人、孝子、帝王、将相、知识分子以及仕女,无论是简笔勾勒还是细笔点染,看一眼就觉可亲可爱,接受起来毫无难度。顾恺之的洛神、周的后宫、唐寅的仕女,因要感慨女人的美丽,所以能把女人画得要多婀娜就多婀娜。顾闳中的韩熙载、阎立本的唐太宗、周文矩的高士,因要显现将相、帝王与知识分子的品端貌正,所以把男人画得要多气宇轩昂就多气宇轩昂。虔诚地赞美,纵情地讴歌,揭示出美的真谛。画出气度的极致,是历任画家们的重要责任,也是 In general, portraits in traditional Chinese paintings, from men to women, dutiful son, emperors, relatives, intellectuals and ladies, Accept it without difficulty. Gu Kaizhi Luo God, Zhou’s harem, Tang Yin’s ladies, because of the feeling of a woman’s beauty, so the woman can draw more graceful grace on the more graceful. Gu Xunzhong’s Han Xizai, Yan Liben’s Taizong, and Zhou Wenzhao’s Coats, in order to show the appearance, appearance of the emperor and the intellectuals, so it is more elegant and elegant. Devoutly praised, indulgently praised, revealing the true meaning of beauty. It is the most important responsibility of painters to draw the ultimate of tolerance, too