无论是鼎盛时期的两宋工笔花鸟画,还是后来的工笔花鸟画,都是把真切具体的形态描写与意境表现放在重要的地位。传统花鸟画的格局都局限于纨扇,而当今中国花鸟画要创新就必然打破这种传统,把它释放到新格局中。不仅格局要发生变化,用笔及绘画语言也要有所变化。用笔是无止境的,不同的语言适合不同的形式。在宋人花鸟画中,画家总是以花鸟鱼虫的那种亲切可爱的姿态展现那生生不息的生命。那是画家 Both the heyday of the two Song meticulous flower and bird painting, or later the meticulous flower and bird painting, are the true description of the specific shape and artistic performance on the important position. The pattern of traditional flowers and birds is confined to the nocturnal fan, but nowadays the Chinese flower and bird painting will inevitably break this tradition and innovate it to a new pattern. Not only to change the pattern, with pen and drawing language have changed. Pen is endless, different languages ​​suitable for different forms. In Song flower and bird painting, the painter always shows the endless life with the kind and lovely gesture of flowers, birds and insects. That is the painter