作为以色列独立之后出生、成长起来的一代人,大卫·格罗斯曼显然有别于年长其十五岁的阿摩司·奥兹。较之后者擅长从家庭角度描绘以色列建国前后的世态人心,格罗斯曼更热衷于刻画家庭之外的更多主题:大屠杀、移民、巴以冲突,特别是当代以色列社会复杂多元的世俗风貌。两人的创作风格也彼此迥异,奥兹多师法十九世纪俄罗斯文学,笔触细腻、优美、典雅、深沉;而格罗斯曼则从欧美 As a generation who grew up after Israel’s independence, David Grossman is obviously different from Amos Ozzy, who is 15 years old. Compared with the latter, who is good at depicting the world before and after the founding of Israel from a family perspective, Grossman is even more keen on portraying more topics beyond the family: massacres, immigrants, the Palestinian-Israeli conflict and, in particular, the secular and secular character of contemporary Israeli society. They are also very different style of creation, the Ozdo Russian law nineteenth-century literature, strokes delicate, beautiful, elegant, deep; and Grossman from Europe and the United States