窦良羽似乎格外迷恋自己的童年生活,读其画作,可以看他有一片属于自己的精神领地:他的童年。童年是画家的营养土,我们可以看到画家笔下多是描绘儿时在乡下生活的种种印记,蒙而真切,铭刻在心底,这种经历是其一生的精神养料捕鱼,偷瓜,打群架,过年,粘知了,看露天电影……这些都画出了一个乡间少年的快乐与忧愁。窦良羽的画活泼灵动,有活的意趣,不是闭门造车的那种,就这点已是很难得。一天天的,我们都长大成人,只能借助回忆来重新感受童年。眼睁睁看着儿童的天真无邪,本真和好奇心逐渐退化,然 Dou Liang Yu seems particularly infatuated with his childhood, reading his paintings, you can see that he has a spiritual territory of his own: his childhood. Childhood is the artist’s nutritional soil, we can see the painter’s pen is mostly depicting childhood life in the country all the imprint, Meng and true, engraved in the bottom of my heart, this experience is the spiritual nourishment of life fishing, stealing melon, fight gangs, Chinese New Year, stick to know, watch the open-air movie ... ... These have drawn a happy and sad country boy. Dou Liang Yu’s lively and vivid, lively interest, not the kind of behind closed doors, it is already very rare. Every day, we all grow up, we can only re-experience childhood with memories. Looked innocent children innocent, real and curiosity gradually degenerated, however