正如我们轻而易举地接受了麦当劳的快餐,好莱坞的电影,纽约客的讽刺漫画,我们也同样坦然而平静地接受了百老汇和韦伯。还只是在几年前,大陆的盗版市场上并不能经常觅见韦伯、格什温的名字,而仿佛只是在一夜之间.随着莎拉·布莱特曼天籁一般的声音,国人突然发现了音乐剧这一瑰宝。诚然,莎拉并非音乐剧界的天后,不过她对歌曲介于古典和流行之间的成功演绎却使她拥有了越来越多的拥戴,也一举获得了中国听众的欢心,并为我们打开了一扇通向音乐剧殿堂的大门。 Just as we easily accepted McDonald’s fast food, Hollywood movies, and New Yorker satire cartoons, we also accepted Broadway and Weber frankly and calmly. Just a few years ago, on the mainland’s piracy market, the names of Webber and Gershwin couldn’t always be seen, and it seemed to be just overnight. With the voice of Sarah Brightman, the people suddenly found out. Musical gems. It is true that Sarah is not the music world, but her successful interpretation of the song between classic and popular has given her more and more support. She has also won the favor of Chinese audience and opened it for us. A door leading to the musical theater.