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前言:自上个世纪五十年代中国古典舞诞生以来,由简单模仿戏曲舞蹈动作,到摸索、探寻自己独特的表现形式,直到慢慢成为一门独立的舞蹈艺术,它在古代的民间歌舞已有相当成就的基础上,不断吸取民间的歌舞素材,而逐渐演变形成了一种歌、舞、剧综合的艺术形式。所以在戏曲舞蹈中保存了中国舞蹈的丰富底蕴和优良传统。而后,由历代优秀艺人整理、加工和创造,提炼成了舞台舞蹈艺术。所以说,戏曲舞蹈和我国古代的现代的民间舞化了的。古典舞在民族传统的基础上,吸取其精华,剔除其糟粕整理研究。之所以去其糟粕是因为戏曲也有局限性的一面。
Introduction: Since the birth of the Chinese classical dance in the 1950s, from simple imitation of traditional Chinese opera to exploration and exploration of its own unique form of expression, it has gradually become an independent dance art. Since ancient Chinese folk dance has been On the basis of considerable achievement, the folk song and dance materials are constantly being learned and gradually evolved to form a comprehensive art form of song, dance and drama. Therefore, the traditional Chinese dance has been preserved in opera dance. Then, from the previous generation of outstanding artists finishing, processing and creation, refined into a stage dance art. Therefore, the opera dance and ancient Chinese modern folk dance of the. Classical dance on the basis of national tradition, learn from its essence, excluding its dregs finishing research. The reason why they go to dross is because opera has its limitations.