本文对万历钞本《钵中莲》的剧情及其渊源作了简单的梳理,然后从脚色行当、唱腔宾白、插科 打诨、舞台效果及表演诸方面,对万历钞本《钵中莲》及其浓缩本--嘉庆钞本《钵中莲》进行了简要比较。 从中可以看出我国古代戏曲脚色行当、舞台效果的演进,以及民间与宫廷两个不同文化圈的戏曲演出,在政 治制约、审美趣味方面的差异。 This article makes a brief review of the story and its origins of the Wanli banknote “Zhonglian in the Bowl”, and then analyzes the origins of the Wanli banknotes in the bowl of Wanli and their performances from the perspectives of acting, singing, white gagging, stage effect and performance. Concentrated - Jiaqing banknote “bowl Zhonglian” were briefly compared. It can be seen from the role of the ancient Chinese drama, the evolution of the stage effect, as well as civil and court two different cultural circles of theatrical performances, political constraints, differences in aesthetic taste.