论文部分内容阅读
当一切的世界名牌都纷纷走进中国(包括建筑的德梅龙、库哈斯等等,家具的 B&B、Casina 等等,卫浴的科勒、汉斯格雅,等等、以及橱柜的法尼尼、博德宝,等等,还有涂料的、灯具的、瓷砖的、地板的……)从而渗透着并改变着我们的生活时,我们不禁要问,作为一名设计者,我们该拿什么去走向世界?我们所从属的这个领域,设计无疑就是第一生产力。我们曾经呼唤着:大师离我们有多远?现在,大师就在我们身边。那么,我们自己的大师呢?他们走得又有多远?从本期开始,《缤纷》将陆续推出这样的一个《特辑》,以人和事件为主轴,来讨论在室内设计、建筑、绘画、雕塑、装置、前卫艺术、舞台美术、置景……等各个领域中引领的当代中国设计的视觉观念。
When all the world famous brands have entered China (including the buildings of Demeron, Koolhaas, etc., Furniture B&B, Casina, etc., Kohler bathroom, Hansgrohe, etc., and Fanini of the cabinets. , Baldwin, etc., as well as paint, luminaires, ceramic tiles, flooring, etc.) In order to infiltrate and change our lives, we can’t help but ask, what should we take as a designer? Going to the world? In this area to which we belong, design is undoubtedly the primary productivity. We used to call: How far is the master from us? Now, the master is with us. Then, how about our own masters? How far are they going? Starting from this issue, “Funky” will successively introduce such a “Special Issue” that focuses on people and events to discuss interior design, architecture and painting. , sculpture, installations, avant-garde art, stage art, setting landscapes, etc., lead the visual concept of contemporary Chinese design in various fields.