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诗歌是文学的最高形式,文学皇冠上的钻石。从诗经到离骚,再到唐诗宋词,中国诗学源远流长。随着时代变迁,中国诗歌呈现岌岌可危的生存状态。新诗文本杂乱丛生,大众疏离新诗,新诗刊物凋零,读者减少,诗歌边缘化的事实令人堪忧。出现这一危机的原因是多方面的,从文学四要素来看,诗人、诗歌文本、社会时代、读者都应对其负起一定的责任。关于诗歌的生存危机,已有学者从文本和诗人创作方面进行了探究。本文着眼于读者角度,从文艺接受的条件、现代读者的接受习惯以及价值观念的转变和生存环境的限制等方面,对新诗衰落的原因进行分析,试图给陷入困境的新诗发展以启示和参考。
Poetry is the highest form of literature, literary crown of diamonds. From the Book of Songs to Lisao, to Tang poetry and Song Ci, Chinese poetics goes back to ancient times. As the times change, Chinese poetry presents precarious living conditions. The fact that the poetry of new poetry is messy, the alienation of new poetry by the public, the decay of new poetry publications, the diminishing readership, and the marginalization of poetry are worrying. There are many reasons for the emergence of this crisis. From the four elements of literature, poets, poetry texts, and social times all share the responsibility of readers. On the survival crisis of poetry, some scholars have explored the text and poet creation. This essay focuses on the reader’s point of view, analyzes the reasons for the decline of new poetry in terms of the conditions accepted by literature and art, the acceptance habits of modern readers, the change of values and the limitation of living environment, and tries to give inspiration and reference to the development of the troubled new poetry.