“哲理化”是西方现代戏剧区别于传统戏剧的重要特征之一。西方戏剧向来排斥哲理 ,单纯追求一种动情的快感。直至 19世纪末 2 0世纪初 ,才出现了戏剧“哲理化”趋向 ,开始追求一种思考的乐趣。易卜生的“讨论”式戏剧、布莱希特的“间离”式戏剧、萨特的哲学化戏剧、荒诞派的“直喻”式戏剧作为“哲理化”戏剧的代表 ,在戏剧哲理化的探索上做出了重大贡献。 “Philosophicalization” is one of the important characteristics that distinguishes western modern drama from traditional drama. Western drama has always been excluded philosophy, pure pursuit of a passionate feeling of pleasure. It was not until the early 1900s that the trend of “philosophicalization” of drama appeared and the pursuit of a kind of thinking pleasure was started. Ibsen’s “discussing” drama, Brecht’s “indissoluble” drama, Sartre’s philosophical drama, the absurd “allegory” drama as the representative of “philosophical” drama, Made a significant contribution to the exploration.