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我国是一个文明大国,也因此必有其伟大的文化艺术,有足以代表其民族的传统精神,我国国画艺术渊源既远,复经历伟大的艺术家,不断的超越前贤,发扬艺术的精神。尤其是六朝以来,经我大唐而至两宋,取得了灿烂的艺术成果。这是一个关于两宋时期文化对两宋山水画之影响的论文研究课题。这个时期的政治、经济、人们的思想等这个大的文化背景对两宋山水画产生了很大的影响,山水画在这个时期有了很大程度的变化。两宋时期,皇家设置了正规的画院来对绘画进行直接的介入和控制。画院的设置极大程度上促进了绘画艺术的发展。帝王对画院的要求依据自己的爱好,他们的审美趣尚必然会直接影响画院艺术的发展、限制和诱导人们的审美倾向,难免影响整个艺术的自然发展。
As a great civilized country in our country, we must have its own great culture and art, and we have enough traditional culture to represent its own people. The origins of Chinese painting are far behind. We have experienced artists who are great, constantly surpassing the predecessors and promoting the spirit of art. Especially since the Six Dynasties, I have achieved splendid artistic achievements through my dantang and the two Song Dynasties. This is a thesis research topic about the influence of the culture of the two Song Dynasties on the landscape painting of the Song Dynasties. The great cultural background of politics, economy and people’s thoughts during this period had a great influence on the landscape paintings of the Song and Song Dynasties. The landscape paintings had greatly changed during this period. During the Song dynasties, the royal government set up a formal art academy to directly intervene and control the painting. The setting of the academy has greatly promoted the development of the art of painting. The requirements of the imperial academy are based on their own hobbies, and their aesthetic taste will inevitably directly affect the development of art in the academy. Restricting and inducing people’s aesthetic tendencies will inevitably affect the natural development of the whole art.