“草隶”是一个非常重要的学术问题,它在接受历程中的概念是极其模糊的,至少没被赋予学术观照。基于此,笔者提出草隶“重构”诸问题,把草隶立足于隶书本位,进行草意观照,在观念性上作出超验判断。把一种批判性的反思指向传统隶书创作视域,进而对当代草隶创作起到指导意义。 “Cao Li ” is a very important academic issue, its concept of acceptance process is extremely vague, at least not given the academic view. Based on this, the author puts forward the questions of “grass-roots” and “reconstruction”. Based on the script-based position, the author makes a sketchy explanation and makes a transcendental judgment on the concept. To point out a critical reflection of the traditional official script writing perspective, and thus to guide the creation of contemporary Cao Li.