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台湾诗人白灵的散文诗《甍之复仇》,运用神话传说和艺术意象的隐喻与历史事件描述相结合的方式,构成诗境,并运用“反讽”的艺术手法,对诗中人物(战犯松井石根、东条英机)的语言、行动与精神状态,作了逼真的表现。通过“甍之复仇”的诗境想象与故事情节,再现了“南京大屠杀”与“南京文物大劫掠”的历史境象,启示了“善战胜恶”、“文明战胜野蛮”及“谋求霸权挑起战争破坏文明的罪犯必然招致自身的失败与毁灭”的历史真理。
Taiwan poet Bailing’s poem “Revenge of the Rage”, using the myths and legends and the combination of the metaphor of artistic images and the description of historical events, constitutes the poetic landscape and uses the artistic technique of “irony” War criminal Soicho Shizuka, Tojo Hideki) language, action and mental state, made a realistic performance. Through the poetic imagination and storyline of “The Revenge of the Reynolds,” the historical images of the “Nanjing Massacre” and “Nanjing Grand Relief” were reproduced, which enlightened the “good and evil” The historical truth that “civilized belligerence savages” and “the criminal who seeks supremacy to provoke war-inflicted civilizations inevitably incurs their own failure and destruction”.