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在文体研究上,历来有两种看法,即辨体与破体。辨体坚持文各有体,主张明辨各种文体的体制,强调每种文体有各自的审美特征和表现手法,创作必须遵从这种规律。而破体则主张打破各种文体的界限,让文体之间互相交融。中国文体从古至今文体学研究都存在辨体与破体的观点,一方面文体之间的界限越来越明晰,人们对文类分析更为具体;另一方面,文学创作上破体成文的现象也
In the style of study, there have always been two views, that body and body break body. The distinguishing body persists in writing and has its own style, advocating the system of discerning various styles of writing, emphasizing that each style has its own aesthetic characteristics and expression techniques, and the writing must follow this rule. The broken body advocated breaking the boundaries of various genres, so that the stylistic integration with each other. From the ancient times, the study of stylistics in China has the perspective of distinguishing the body from the body. On the one hand, the boundaries between the genres are becoming clearer and clearer, and people are more specific about genre analysis. On the other hand, Phenomenon too