论文部分内容阅读
八月六日至十三日,中国艺术研究院《文艺研究》编辑部和黑龙江省艺术研究所在哈尔滨联合举办了戏剧理论讨论会。这个讨论会交流了包括戏剧史、戏剧理论以及戏剧现状研究的最新成果。大多数同志的发言都不是孤立地研讨某一种戏剧现象或理论,而是结合当前这场危机从各自不同的角度,用美学的和历史的高度来概括自己的认识。通过发言和宣读论文,提高了与会者对克服危机,改革戏剧迫切性的认识。这次会议显示出,从事创作和理论的两部分人在审视、探求戏剧命运的共同命题下密切配合,正在形成一股新的、创造性的活力。
From August 6 to August 13, the editorial department of “Literature and Art Research” of China Academy of Art and the Heilongjiang Institute of Arts jointly held a seminar on drama theory in Harbin. The symposium exchanged the latest achievements including the history of drama, the theory of theater and the status quo of the theater. Instead of discussing a certain kind of dramatic phenomenon or theory in isolation, most comrades summed up their own understanding from the perspectives of aesthetics and history in the light of the current crisis. By speaking and reading papers, participants raised their awareness of the crisis and the urgency of reforming the theater. This meeting shows that two people engaged in creation and theory work closely together under the common proposition of examining and exploring the fate of drama and creating a new and creative vitality.