申昊润的作品以层构整,将作品比喻成社会体系,多层面构成表体,然而内部却是中空状态,带有着些微的嘲笑意味指向一些根本不存在的“中心”。日常生活中,我们所接触的体系、组织等大多以发散方式由内而外的扩散,一层一层。在这个过程中,这些表层除了本身的意义还具有他们结合后的意义或与其他情境交叉所产生的新含义,但是最初所包裹的“中心”是否还存在就不得而知了。申昊润多以佛、菩萨、关公等形象作为作品展示形态,似乎也想借助这些无所不能的神明来反讽这种中空状态。 Shen Haorun’s works are structured in layers, metaphorically depicting works into social systems, and form multifaceted forms. However, the interior is hollow, with some minor ridicule pointing to some non-existent “centers.” In daily life, most of the systems, organizations and so on we are exposed to are proliferating from the inside out in a divergent manner. In the process, the surface layers have their own meanings but also new meanings that they combine or cross with other contexts, but it is unclear whether the original “center” still exists. Shen Hao-Run more Buddha, Bodhisattva, Guan Gong and other images as the work shows the form, it seems also want to use these omniscient gods to iron up the hollow state.