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《西厢记》从展现在世人面前的第一天起直至今日,无论以阳春白雪或是下里巴人何种艺术角度评价分析,它都无愧称之为我国古典戏剧文学史上的经典之作。据不完全统计,仅明清刊本就有二百余种,增改本共27种,有13种有传本,其他皆佚不传,其中清代阳城张锦的《新西厢记》由于久居深宫,以致有学者认为此版本已经遗失,经过从新挖掘与整理,本篇将从文献学的角度重点分析《新西厢记》,以供西厢读者参阅。
From the first day before the show to the world, The West Chamber is deserved to be regarded as the classical work in the history of Chinese classical drama and literature, no matter from the angle of artistic analysis of spring and snow or from the lower reaches of the people. According to incomplete statistics, there are over 200 kinds of journals in the Ming and Qing dynasties alone, with a total of 27 kinds of altogether increasing and varying. There are 13 kinds of biographies, and others are not yet passed on. Among them, “New West Chamber” Deep Palace, so that some scholars think this version has been lost, after a new excavation and finishing, this article will focus on the literature from the angle of analysis, “New West Chamber” for readers to read West Wing.