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艺术创造中某些问题,有时是“只可意会而难于言传”。美术字在视觉设计中确实亦有其难言和模糊之处。模糊之意,不同于糊涂浑噩。在现代科学的领域里,模糊数学的出现,实现了数学方法上的重大突破;同时启迪人们,任何事物都存在着明晰性与模糊性两个方面,二者相互交织、渗透。美术字的字体、形式非常丰富。较规范的字体有宋体、黑体、仿宋体、宋黑体、长宋黑体……等;此外,还有非常灵活多变、因类赋形的变体字。因此,一个字实际上就是一个单元的视觉设计,一个版面(包含平面的和立体的)的美术字就是一个整体的视觉设计。用模糊数学的概念来说,一个版面的整体构成,可以看作是集合A,单个的美术字(或字组造型)可以看作是集合B。构成集合B的重
Some of the problems in the creation of art are sometimes “difficult to interpret.” There are also some unspeakable and ambiguous words in the visual design of fine arts. Ambiguous meaning, different from the muddlehearted. In the field of modern science, the appearance of fuzzy mathematics has realized a major breakthrough in mathematical methods. At the same time enlighten people, everything has both clarity and ambiguity, the two intertwined and infiltrated. Fine art fonts, the form is very rich. More normative fonts are the Times New Roman, bold, imitation of Times New Roman, black body of Long Song ... ...; In addition, there are very flexible, due to the type of variant shape. Therefore, a word is actually a unit of visual design, a layout (including flat and three-dimensional) of the word is a whole visual design. With the concept of fuzzy mathematics, the overall composition of a layout, can be seen as a collection A, a single word art (or group modeling) can be seen as a collection B. The weight that makes up Set B