暧昧的时候往往是最美。暧昧,本身就是一个极其暧昧的词,说不清楚,道不明白。暧昧是迂回的,温和而缓慢,含蓄而微妙。东方文化一直是暧昧的。两个人明明都有那么一份心思,却偏不说话,隔着那层窗户纸别扭着、眉目传情着,眼波间流转的却都是暖昧。所有的爱情在这个阶段都是最美好的。暧昧,如果与城市相关联,则多出现在香江和沪上。香港和上世纪三四十年代的旧上海一样.是发生一切故事的最好舞台。张爱玲笔下的人物.不止一次轻着一袭竹布旗袍,款款生姿地穿过夜晚下的维多利亚 When the ambiguous is often the most beautiful. Ambiguous itself is an extremely ambiguous word, can not say clearly, do not understand. Ambiguous is roundabout, gentle and slow, subtle and subtle. Oriental culture has always been ambiguous. Two people obviously have a mind, but do not speak, across the window awkward sheets of paper, eyebrows teaser, shuffling between the waves are all ambiguous. All love is the best at this stage. Ambiguous, if associated with the city, then appear in Hong Kong and Shanghai. Hong Kong, like Shanghai in the 1930s and 1940s, is the best stage for any story to happen. Eileen Chang’s characters. More than once lightly dressed in bamboo cloth cheongsam, the models gracefully through the night under the Victoria