论文部分内容阅读
宋代佚名所绘《蜀川胜概图》对蜀川风物的景观叙述,成为蜀地士人对家国丧乱的心灵寄托,即以蜀川地景符号来隐喻华夏空间之正统性,表达对蒙元入侵无声的抗议。同时,《蜀川胜概图》作为带有地图性质的山水胜景图,其本身就是绘制者对山川胜景直观感觉下的产物,背后是希望塑造一个“熟悉的地方”。从《蜀川胜概图》的景观叙述来看,其不仅是审美性山水图绘的典型代表,也印证了中国传统地图与山水画的相互融合。
Anonymous account of the Song Dynasty “Shuchuan wins over map” landscape description of the Shuchuan scenery, as Shu disabilities to the hearts of the country’s bereavement of the sustenance, that is, to Sichuan landmarks metaphor of Chinese orthodox space, the expression of Mongolia Yuan invasion silent protest. At the same time, “Shuchuan wins over map” as a map with the nature of the landscape map, itself is the creator of the intuitive feeling of mountain scenery under the product, the hope is to create a “familiar place ”. From the landscape narration of “Shuchuan wins over map”, it is not only the typical representative of aesthetic landscape painting, but also confirms the integration of traditional Chinese map and landscape painting.