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元代复杂的民族关系、汉人身份的低微以及元代统治阶级的重武轻文,使得元代文人士大夫的社会地位十分低微,为了超越孤苦郁闷的人生,这些知识分子寄情于山水之间,通过对山水美景的意象绘画来表达他们悲愤、无奈之情。从而形成了元代山水画独特的风格特点。文人士大夫成为了主要的山水画家,重视画家主观情感的表达,以写意的手法来表现画面,追求脱俗高逸的艺术趣味。在绘画技法上,用干笔的皴擦代替了湿笔的晕染。用纸张代替元朝以前的以绢作画。这使得中国山水画继南宋之后进行了又一次的变革发展,对后世山水画理论、创作也产生了深远的影响。
The complicated ethnic relations, the low status of Han people and the heavyweights and the light language of the Yuan dynasties made the social status of literati and scholars in the Yuan Dynasty very low. In order to surpass the lonely and depressing life, these intellectuals sent their love to the mountains and rivers and passed The image of landscape painting to express their grief, helplessness. Thus forming the Yuan Dynasty landscape unique style characteristics. Literati and physician became the major landscape painters, paying attention to the expression of subjective feelings of painters, expressing the pictures by freehand techniques and pursuing the artistic taste of refined and elegant. In the painting techniques, with a dry pen of rub instead of wet brush SUMI. Use paper instead of Yuan Dynasty before the silk painting. This made the Chinese landscape painting undergo another change and development after the Southern Song Dynasty, which also had a far-reaching impact on the theory and creation of landscape painting in the future.