本文借鉴并重构“形象”和“社会性别制度”这两个理论范畴,尝试在一种跨媒介、跨学科的综合视野中探讨当代中国女性主体的塑造问题。全文立足三个女性形象(李双双、陆文婷、杜拉拉)的详细解读,在近60年的历史视野中,勾勒三个历史时期社会性别制度的变迁脉络及其内在结构。论文四个部分分别探讨三个女性形象的表意要素及其文本演绎、女性形象置身的社会制度场域、性别作为阶级的能指、权力结构的性别化再现形态,一方面深入挖掘三个形象的丰富历史内涵,另一方面也力图为整体性地探讨当代中国女性问题提供一种富于新意的分析框架。尤其注重结合具体历史语境和当代女性运动实践经验,深化有关女性主体的文化建构、女性社会化与婚姻家庭制度、女性主体性实践的场所、性别政治与阶级政治的关系等重要理论问题的讨论。 This article attempts to explore and reconstruct the theoretical categories of “image ” and “gender system ” in an attempt to explore the shaping of contemporary Chinese female subject in a cross-media and interdisciplinary comprehensive vision. Based on the detailed interpretation of three female images (Li Shuangshuang, Lu Wenting, Du Lala), this article sketches the changing context and its internal structure of the three historical periods of gender system in the historical perspective of nearly 60 years. The four parts of the thesis respectively discuss the ideological elements and text deduction of the three female images, the social system field in which the female images are exposed, and the genre as the signifier of the class and the gender-based reproduction of the power structure. On the one hand, Enriching historical connotations, and on the other hand, trying to provide an innovative analytical framework for the overall exploration of contemporary Chinese women. In particular, it pays attention to the discussion of important theoretical issues such as the cultural history of the female subject, the socialization of women, the institution of marriage and family, the practice of female subjectivity, the relationship between gender politics and class politics, combining with the specific historical context and practical experience of contemporary women’s movements .