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以工程带动理论与实践的双重发展 王文章(中国艺术研究院常务副院长):韩再芬是当代舞台上深受观众欢迎的、引起理论界关注的、具有代表性的表演艺术家之一。她的《徽州女人》把黄梅戏的精、气、神,完整、协调地呈现于舞台之上,这是她的一项了不起的成绩。韩再芬在近期出演的《公司》,得到了观众的承认,收到了良好的社会效益,《公司》演出后,纯收入高达33万元就是一个强有力的证明。戏曲处境艰难是客观事实,这一工程的启动,就是要正视这样的局面,为戏曲的生存开辟出一条道路来。以韩再芬作为开端,就是要通过她使得戏曲理论研究贴近实际,带动理论与实践的双重发展。各地剧团中像韩再芬这样的表演艺术家还有很多,通过关心戏曲发展的各方人士的共同努力,系列地研究,持续地总结,坚持下去,将是一笔宝贵的精神财富。
Driven by Engineering, Dual Development of Theory and Practice Wang Wenzhang, Executive Vice President, Chinese Academy of Arts: Han Zongfen is one of the most representative performing artists in the contemporary arena. Her “Huizhou Woman” presents the essence, beauty and divinity of the Huangmei opera on the stage in a complete and harmonious manner. This is a remarkable achievement of her. Han Zaenfen starred in the recent “company” has been recognized by the audience, received a good social benefits, “company” performance, the net income of up to 330,000 yuan is a powerful proof. It is an objective fact that the opera is in a difficult situation. The start of this project is to face up to such a situation and open up a path for the survival of the opera. With Han Zaenfen as the beginning, it is necessary to make her theoretical study of drama close to reality and promote the double development of theory and practice. There are many performing artists in various local troupes like Han Zaofen. Through the concerted efforts of all parties concerned with the development of Chinese opera, it is a precious spiritual asset to carry out a series of studies and to continuously summarize and persevere.