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林兆华导演的莎士比亚戏剧《理查三世》在光与影的叠加中将隐喻与戏仿发挥到了极至,尽管对于林兆华的舞台阐释众说纷纭,赞同欣赏的人并不多,但是,我们却不得不承认,《理查三世》是中国话剧舞台上一部全新风格的莎剧,而且是一部极具创意性的莎剧。由光与影的戏仿所组成的《理查三世》,所追求的叙事效果充满隐喻特征和调侃色彩,内涵已经通过经典文本的重构被置换为现代舞台叙事。
Lin Shaohua’s Shakespearean drama “Richard III” plays a very important role in metaphor and parody in the superposition of light and shadow. Although there are not many people who agree with Lin Zhaohua’s stage interpretation and appreciate it, we have to admit that “ Richard III ”is a new style of Shakespeare on the Chinese drama stage, but also a very creative Shakespeare. The “Richard III” composed of parody of light and shadow pursues the narrative effect full of metaphorical features and ridicule. The connotation has been replaced by modern stage narration through the reconstruction of classic texts.