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中唐文学家韩愈为文尚活求变，其碑志文堪称这类作品的典范。本文从结构创设，形象组合及语辞运用的无法入手，条述缕析，揭示其碑志文追求活法的外在形貌与内在思想情感特点，并归结到奇崛这一韩愈诗文创作的总体风格和美学追求上，最后对碑志文无法的创作成团进行若干探索，以祈通过碑志文这扇艺术之窗，以斑窥豹，总结韩文奇崛的文本现象及其创作经验。
Han Yu, a writer in the Tang dynasty, sought to change his literary style. His inscription Chi Wen is a model for such works. This article from the structure creation, the combination of image and the use of words can not start, the description of the passage, revealing its inscriptions to pursue the external appearance of living law and inner thoughts and emotions, and boils down to the rise of this Han Yu poetry Style and aesthetics. Finally, he made some explorations into the creation of a group of inscriptions that can not be inscribed in order to pray through this window of art in inscriptions and poems to reveal the textual phenomenon and creative experience of Korean kings.