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科幻与现实的关系历来是科幻研究的焦点议题。在某种意义上,科幻小说的作者必须跳出现实社会本身,体会深藏于现实社会之下的事物,因此科幻反而是介入现实的最佳方式,刘慈欣的《三体》三部曲就属此方面的典型。而本文作者正是立足于这一文本,旨在解析刘慈欣身为一名科幻作家的文化自觉:首先,《三体》的核心矛盾是人类与三体的文明冲突,以及文明冲突引发的历史终结和
The relationship between science fiction and reality has always been the focus of science fiction research. In a certain sense, the author of science fiction must jump out of the real society itself and experience what lies beneath the real world. Therefore, science fiction is the best way to intervene in reality. Liu Cixin’s “three-body” trilogy belongs to this Typical aspects. The author of this paper bases on this text to analyze the cultural consciousness of Liu Cixin as a science fiction writer. First of all, the core contradiction of “three bodies” is the clash of civilizations between mankind and the three bodies and the end of history triggered by the clash of civilizations with