论文部分内容阅读
清代初年的《朱景昭批评西厢记》是一部尚未引起学界注意的《西厢》批本。它以未经金圣叹改动的《西厢》作底本,但删掉了草桥梦莺莺之后的文本,其批语则以选录金圣叹《第六才子书西厢记》的批文为主。它通过取汰金批,参合己意,确立了以结构为核心的戏曲创作观,这和它守“礼”重“法”的精神以及追求语言风格的“雅重”结合在一起,反映出《西厢》评点在入清之后的时代特色。
In the early Qing Dynasty, “Criticism of The West Chamber by Zhu Jingzhuo” was a batch of “The Western Chamber” that did not attract academic attention. It uses the “West Wing” that has not been altered by Jin Shengtang as the base but deletes the text after the Caoqiao dream Yingying. The criticism of the text is based on the approval of the selection of Jin Shengtan’s The Sixth Talents of the West Chamber. Through the elimination of the gold grant and its own concerted efforts, it has established the structure of drama as the core creative concept, which is consistent with its spirit of “courtesy” and “weight” and “law” and the pursuit of “ Combined together, reflects the ”West Wing" commentaries in the Qing era after the era characteristics.