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程宁敏撰写的《“以字行腔”和“以腔行字”之辨析》①一文,是以笔者的《“以字行腔”的人文价值》②和肖黎声撰写的《以腔行字——美声唱法歌唱训练之我见》③为参照而写成的。程文的主导理论既肯定了笔者所赞同的“以字行腔”的民族声乐规范,又肯定了所批评的“以腔行字”的理论,并用一些十分牵强的例证和论点,营造了一个所谓二元“互渗与互补”的理论体系。
Cheng Ningmin wrote the “” to the word “and ” to line character “of the” ① article, is based on the author’s “” character line cavity “human value ” and Xiao Lisheng Line words - the United States Singing Singing Training I see “③ as a reference written. The dominant theory of Cheng Wen affirmed the norms of national vocal music that the author agrees with and the criticisms of the theory of ”using the word of the jargon“ and some very far-fetched examples and arguments, Created a so-called binary ”mutual infiltration and complementarity" theoretical system.