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2014年8月15日,“第十二届全国美术作品展”拉开帷幕。本界展览从展区设置、参展细则、选送方式,到评奖办法和奖项分配,都有不少亮点。然而,历届全国美展在收获了众多优秀作品之外,也不免成为美术批评的众矢之的。自1999年“第九届全国美术作品展”开始,《美术观察》连续四届深入观察“全国美展”的最新动态,这似乎已经成为本刊编辑部的一个传统,也是我们介入当代美术进程的一种方式。此次,本刊主编、副主编及
August 15, 2014, “The 12th National Art Exhibition ” kicked off. The exhibition area from the exhibition set up, exhibitors rules, delivery methods, to the award method and award distribution, there are many bright spots. However, all previous national art exhibitions have not only won numerous excellent works, but also become the targets of criticism of fine arts. Since 1999, the “9th National Art Exhibition”, “Art Observations” has been the fourth consecutive in-depth observation of the latest developments of “National Art Exhibition”, which seems to have become a tradition of the editorial department of this magazine and also our involvement A way of contemporary art process. This time, the editor, deputy editor and editor