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胡金铨是港台最著名的新派武侠片导演之一,代表作品主要有《大醉侠》、《龙门客栈》、《侠女》等。尽管他一生拍摄的影片不多,但其作品在中国电影史特别是港台武侠电影史上却具有里程碑式意义。通过对其代表作《侠女》的分析研究,从影片民族本位和美学特征等方面管窥台湾新派武侠电影的文化策略。
King Kong is one of the most famous martial arts film directors in Hong Kong and Taiwan. His main works include Drunk Man, Dragon Gate Inn, and the Chivalry. Although his film is limited in his life, his work has a milestone in the history of Chinese cinema, especially martial arts in Hong Kong and Taiwan. Through the analysis and study of her masterpiece “Xia Nuan”, I can see the cultural tactics of Taiwan’s new martial arts films from the aspects of film nationality and aesthetics.