试论社会活动对历史剧的补偿功能——以日本“大河剧”为例

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一、问题的提起自20世纪80年代,我国以史实为基础进行的历史题材文艺创作数量逐渐增多,人物形象多样,时间跨度较大,受到包括史学爱好者在内的众多观众喜爱。由于其中不可避免具有虚构成分,而大多观众缺乏相关知识背景、辨析能力不足,也少有观后详细查证原典的习惯,因而可能存在对文艺作品的“历史误读”。这就需要制作方、学术界、政府组织、民间团体通过各自渠道对历史事实进行梳理、释义等补充说明工作,保证文艺作品传播过程中的 I. Problems Mentioned Since the 1980s, the number of literary and artistic creations in history based on historical facts has been gradually increasing. Characters in various images have a long time span and are loved by many viewers, including historians and amateurs. Because of the unavoidable fictional composition, most of the viewers lack the relevant knowledge, lack of ability to analyze, and rarely examine the customs of the original code carefully. Therefore, there may be a “misunderstanding” of the literary and artistic works. This requires producers, academics, government organizations, and non-governmental organizations to sort out and interpret historical facts through their respective channels so as to ensure the smooth progress of the dissemination of literary and artistic works
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