论文部分内容阅读
二次世界大战后的美国,尤其是在美苏冷战、麦卡锡主义、越战等此起彼伏的20世纪60年代,小说家们普遍对喧嚣、动荡的现实社会惶恐不安,对社会不抱希望,陷入精神危机,于是他们不再关心身边的现实,摒弃了现实主义的创作原则,完全置小说的基本要素于不顾,不再刻意反映客观的真实,放弃典型环境中的人物塑造,转而热衷文字游戏,写作上花样翻新,热捧“互文性”、“元小说”、“戏仿”、“拼贴”等后现代文学技巧,其显著特点是消解
After the World War II, the United States, especially in the 1960s, after the Cold War, McCarthyism and the Vietnam War, the United States and the Soviet Union, one after another, novelists generally panicked about the bustle and turmoil of the real society, their hopes for the society and their spiritual crisis So they no longer care about the reality around them, abandon the realistic principle of creation, completely ignore the basic elements of the novel, no longer deliberately reflect the objective reality, give up the characterization in the typical environment, and instead are keen on word games and writing On the pattern of innovation, favorable “” intertextuality “, ” novels “, ” parody “, ” collage "and other post-modern literary skills, the salient features of digestion