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庄子是继老子之后道家的主要代表人物,在中国美学史上具有举足轻重的地位,对现实生活有自己独到见解和认识,构架起属于自己的完整思想体系。他师承老子,以“道”的自然无为作为人生审美境界的最高理想。他以冷峻和超越的审美目光透视了人生的历程,其追求的人生是自由的人生,也是审美的人生。其以自然之美、虚静之美、自由之美等多重美学思想的内涵,对中国古代知识分子的人格塑造以及中国古代文学艺术的创作产生了深远的影响。
Zhuangzi is the main representative of Taoism after Lao Zi. It has a pivotal position in the history of Chinese aesthetics, has its own unique insights and realizations in real life, and constructs its own complete system of thought. He is the teacher of the eldest son, with “Tao ” natural inaction as the aesthetic ideal of life. His solemn and transcendent aesthetic perspective on the course of life, the pursuit of life is a free life, but also an aesthetic life. With the connotation of multiple aesthetic thoughts such as the beauty of nature, the beauty of tranquility, the beauty of freedom, it has a profound impact on the personality shaping of ancient Chinese intellectuals and the creation of ancient Chinese literature and art.