《六月的啼鸣》是一篇好散文。 文章引了我们的目力,由一个“门缝”,一个童年里掀开的“被角”,由睡梦由月影由淡淡一线曙色里,看了一眼我们的一茬母亲。这角度含了童贞的顽皮,更带了人生的忧郁。掠过作品中人的行为,我们感受到作者一种热切、深厚、独特的对于季节对于平原的审美气质与品格。 我很欣赏流贯于文章始末的那么一种求近的语态求阔的语势和求转的语流。这对于散文似乎更成为自身的和重要的。 这语态语势语流在《六月的啼鸣》里,被表现得极为平缓又极为不安。是弥漫性的弥益性的,如平原的雾气一样,慢慢铺开慢慢浓厚又慢慢地消逝,最后留下新鲜绵长的意味,这是季节的气息是 “Catch in June” is a good essay. The article drew our eyesight, from a “crack”, a “beggar” opened in childhood, from the dream by the moon shadow from a touch of dawn, took a look at our mother. This perspective contains the naughty virginity, but also brings the depression of life. By skimming the human behavior in the works, we feel that the author is an eager, profound and unique aesthetic temperament and character of the season for the plain. I appreciate the kind of language that seeks to get closer to the narrative language and seeks to change the language that runs through the whole story. This seems to be more self and important for prose. This verbal phonological flow was extremely gentle and extremely uneasy in “The Crowd of June”. Is diffuse mischievous, like the fog of the plains slowly spread slowly slowly and slowly disappear, leaving the last fresh meaning of long, which is the atmosphere of the season is