论文部分内容阅读
兰波的诗作以打破语言常规和感觉习惯为突出特征，这些特征既为批评家提供了多元阐释的空间，也为翻译者设置了难以逾越的障碍。由于中法两种语言编码的差异和文化背景的差异，由于诗人对本国语言的独特运用，中译本很难保留原作的全部文化内涵和文际关系，很难不造成语义流失。但由于汉语本身所特有的语法手段和词汇资源，由于每个译者对汉语的独特运用，中译本也可能会在某个层面上与原文相比有所增值，这种增值有时甚至与原作的总体追求相吻合。本文以兰波散文诗《彩图集》的中译本为分析实例，对诗歌翻译过程中的这些“得”与“失”展开思考。
Rimbaud’s poems are characterized by the break of linguistic conventions and sensory habits, which not only provide the critics with multiple interpretations of space, but also set impenetrable barriers for translators. Due to the difference between Chinese and French codes in two languages and the difference in cultural background, it is very difficult for the Chinese translations to preserve the entire cultural connotations and interpersonal relations of the original works because of the poet’s unique use of native languages. However, due to the unique grammatical means and lexical resources of Chinese, Chinese translators may also appreciate in some aspects compared with the original because of the unique use of Chinese by each translator. The overall pursuit of match. This paper analyzes the examples of the translated versions of “Lots of Color Pictures” in Lange’s poems and ponders over these “gains” and “losses” in the process of the translation of poems.