小提琴曲《丰收渔歌》由小提琴教育家李自立创作于1973年,作品以广东汕尾渔歌为素材,以南海波涛为背景,描写了海湾夜色中渔民成群结队出海捕鱼,中途劈波斩浪,最后喜获丰收归来时的情景。渔樵形象是中国传统思想中隐逸文化的集中反映,成为文人寄情山水和精神净化的象征性符号,是他们人格精神和审美品位的外化。有关渔樵的音乐作品透出“隐”和“逸”的思想,具有儒道兼济的哲学基础。 Violin song “Feng Yu fishing song” by violin educator Li Zili creation in 1973, the works of Guangdong Shanwei fishing song for the background of the South China Sea waves as the background, portrayed in the Gulf of China fishermen in droves fishing in the crowd, half-way split waves, the last hi Harvest returns when the scene. The image of fishing jiao is a concentrated reflection of the hidden culture in Chinese traditional thought, becoming the symbolic symbol of the literary landscape of sentient beings and spiritual purification, and the externalization of their personality and aesthetic taste. The music about fishing Qiao reveals “Yin” and “Yi” thoughts, with the philosophical foundation of Confucianism and Daoism.