执导《开国大典》之后,再拍什么曾动了些脑筋,本来希望一鼓作气再拍一部它的姊妹篇《开国元勋》,但由于当时一批反映毛泽东的主旋律影片都推上来,而扮演毛泽东的古月就一个,我们还是另辟蹊径为好。此时,我们应西影厂之邀前去执导根据黄济人长篇报告文学《将军决战岂止在战场》改编的电影《决战之后》(郑重编剧)。对拍摄这部影片大家也有这样一些担心:这个戏的前景人物是些无不犯有可杀之罪的战争罪犯,政治分寸感不好把握,弄不好会有“群魔乱舞”之嫌;再一个担心是影片描写大批战犯在监狱里的改造生活,人物、环境、服饰都很单调乏味,怕没有人物,更怕没有观赏性。这些担心是有道理的,也是剧本写出七、八年为什 After he directed the “founding ceremony,” he once again hoped to make a big effort to make another sisterhood of his founding father, “founding fathers.” However, at that time, a batch of films that reflected the main themes of Mao Zedong pushed up and played Mao Zedong’s One of the ancient months, we are still another way as well. At this moment, we should follow the invitation of West Film Studio to direct the film “After the Final Battle” (solemn screenwriter) based on the lengthy reportage of General Huang Chih-man, “General Battle Is More Than Battlefield”. There is also some concern for the filming of this film: the foreground characters of this play are some war criminals who commit crimes that kill people, the sense of political sense of proportionality is poor, and there is a suspicion of “group magic flogging”; another worry Is a movie depicting a large number of war criminals living in prisons, people, environment, costumes are very tedious, afraid of no characters, but no fear of no ornamental. These concerns make sense, but also the script write seven or eight years why