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理学的发展与自信心的恢复与张扬,是南宋中期学术文化方面非常显著的特征,辞赋创作的走向与之密切相关。辞赋创作在当时显现出一些新特征:理学与辞赋形成了一种互动的态势,辞赋成为宣扬理学观念、阐释理学教义的重要载体,也成为表达理学人生境界的重要载体;辞赋多感情饱满、个性张扬、恃才骋气,辞赋中的这种感悟更具有鲜明的现实意义和批判精神,很好地体现了微闻讥刺、诡文谲谏的特征;表现生活场景的赋作思想深度得到深化,以往的浅陋见识得到一定程度的提升;辞赋较之从前,辞章和立意更精致、更新巧,这与读书人对唐宋古文的重视、科场时文的程式化等密切相关。
The development of Neo-Confucianism and the recovery and publicity of self-confidence are very significant features in the academic culture of the Southern Song Dynasty. The trend of Ci Fu’s writing is closely related to it. At the time, the creation of Ci Fu showed some new features: Neo-Confucianism and Ci Fu formed an interactive trend, Ci Fu became an important carrier to promote Neo-Confucianism and explain Neo-Confucianism, and became an important carrier to express the realm of Neo-Confucianism. Zhang Yang and his master resigned, and this feeling in Ci Fu had a more vivid and realistic meaning and a critical spirit, which well embodies the characteristics of micro-sneers and sly remarks and remonstrances. The depth of the thought of endowment of living scenes is deepened, Compared with the past, the rhetoric and the conception are more refined and clever, which is closely related to the scholar’s emphasis on the ancient prose in the Tang and Song Dynasties and the stylization of prose texts.