教了十几年的剧作 ,写了十几年的剧本 ,作了十几年的编剧 ,也获得了一些剧本奖 ,但是 ,总还是摆脱不了做编剧的悲哀。现在 ,跟人谈合作 ,我经常不得不建议制片人先看看我的剧本再作判断 ,而不是通过已拍摄成的作品。从剧本《定军山》到电影《西洋镜》的整个过程就是一个显著的? Teach a dozen years of play, wrote a dozen years of the script, made a dozen years of screenwriter, also won a number of script awards, but always still can not escape the sadness of a screenwriter. Now, to talk with people, I often have to advise the producer to look at my script before making a judgment, rather than passing on the filming. From the script “Ding Jun Mountain” to the movie “Diorama” The whole process is a significant?