书画装裱中的“力”是无处不在的。一幅装成的裱件是否卷瓦、翘曲,变形走样,最根本的问题,就是裱件“合力”的平衡问题。下面就裱件“合力”的产生原理和怎样合理运用这些“力”,来达到裱件的平衡与求美葆真,谈谈看法。一是浆糊的粘合力。浆糊的粘合力非常关键,它几乎关系到装裱的每一个环节。装裱各流程中浆糊的稀稠运用,几乎影响到装裱的成败。大致而言,托画心纸和上覆背纸要用最稀的浆糊, The power of painting and calligraphy mounting is ubiquitous. Whether a mounted piece of paper is rolled, warped, or deformed is the most fundamental issue, which is the balance of the framed pieces. Below on the framed pieces “together” principle and how to make reasonable use of these “force” to achieve the balance of the mounting parts and seeking the United States really treasure, to talk about the view. First, the adhesive paste. Paste adhesion is critical, it is almost related to every aspect of mounting. Filling the process of thick paste paste, almost affect the success or failure of the mounting. In general, care painting paper and overlying paper to use the thinnest paste,