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近代以来,西方科学中实证、还原等一系列“简单性”研究方法也化作了音乐艺术等人文学科的研究手段,在实证、还原研究方法的考证、测量下,那些非西方音乐理解中的关键因素——意境、歧义等都被遮蔽,整个音乐世界以同一的面貌诉说着科学的神话。在对不同文化中音乐意义进行探究的多元文化价值观的引领下,世界音乐纷纷展现自己独特魅力,绽放异彩。笔者为音乐简单性理解选取了两个视角:可还原性场阈中的文本话语权透视和实证主义视野中音乐歧义的缺席,以此为视点,展开对音乐简单性理解的批判。
Since the modern times, a series of research methods of “simplicity”, such as demonstration and reduction in Western science have also been turned into research methods in the humanities such as music and arts. With the verification and measurement of empirical research methods, those non-Western music comprehension In the key factors - mood, ambiguity, etc. are obscured, the entire music world to tell the same myth of science. Under the guidance of multi-cultural values that explore the meaning of music in different cultures, world music has demonstrated its unique charm and splendor. I choose two perspectives for the understanding of musical simplicity: the discourse of textual discourse in the threshold of reducibility and the absence of musical ambiguity in the field of positivism, and from this point of view, we begin to criticize the understanding of musical simplicity.