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刘野赖以成名的小幅绘画展现出完美而理想化的完整世界,作品的尺寸限制也使观者的注意力集中于画家用个人语言塑造的单一场景中。通过回顾、操纵和基于想象的重构,刘野将个体经验变为另一现实的迷魂器,呈现在观者面前。刘野在纽约Sperone Westwater画廊举办的第三次个展同样展出了一系列小尺寸新作。此外,新作《竹子、竹子、百老汇》(2012年)援引了他喜爱
Liu’s small paintings, famed for their fame and fortune, show a perfect and idealized complete world, and the size constraints of the work also focus the viewer’s attention on a single scene the artist paints in a personal language. Through reviewing, manipulating, and imaginative reconstruction, Liu Ye turns individual experience into another reality ecstasy, presented to the viewer. Liu Ye’s third solo exhibition at Sperone Westwater Gallery in New York City also exhibited a series of new works in small sizes. In addition, the new work “Bamboo, Bamboo, Broadway” (2012) cites his favorite